Background Techno Experience Podcast » Episode 89 ECHOSPACE

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Background Techno Experience Podcast » Episode 89 ECHOSPACE

A Detroit-Chicago collaboration between prolific and low-key ambient dub-techno producer Rod Modell (Deepchord) If imitation is the sincerest form of flattery, the fellows in Berlin’s Rhythm & Sound camp will have no problem endorsing Detroit-based Deepchord as their dub-techno heir apparent. Already an established ambient producer, Rod Modell partnered with Mike Schommer, quietly releasing their first 12″ together in the late ’90s.

Like Rhythm & Sound, Deepchord based their compositions around minimal arrangements: repetitive rhythms inspired by dub, faint traces of white noise, and warm synth stabs. The group retained a loyal cult following, releasing several more singles in the early 2000s as well as a limited-run CD version of their first six releases (originally pressed up in extremely limited quantities). The duo’s production went from prolific to a screeching halt around 2002, making a remarkable and rare live performance at the Detroit Electronic Music Festival and releasing singles in a scarce fashion (the group’s 2006 single was only pressed to 100 copies).

A retrospective of the group’s work, Vibrasound: 1999-2004, was issued under Modell’s name and released on the Silentes label in 2005. Later that year, Modell teamed with Kevin Hanton to release Illuminati Audio Science and used a generous portion of the group’s output, looped and sliced into small segments (much like Richie Hawtin’s DE9 experiments), for a continuous 70-minute mix CD – and Steven Hitchell (Soultek), Echospace released a series of 12″ singles on England’s Modern Love label, all of which were compiled on a CD named after the series, The Coldest Season. The same year, the duo also issued a pair of singles on Lee Purkis’ Fortune8 label, as well as an additional release on echospace[detroit]. As with much of Modell’s output, Echospace’s material is deeply rooted in the Basic Channel/Chain Reaction school of dub-techno, emphasizing deep throbs and alternately soothing and unsettling ambience (manipulated field recordings, for the most part)

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